This week I was informed by a Michigan historical publication that its editorial committee rejected my proposed article on the historical significance of my birthplace, Crittenton General Hospital. “While the committee appreciates the article you submitted, it unfortunately does not meet our magazine’s editorial needs and we will be unable to accept it for publication,” the editor wrote.
This means that an article I proposed to tell the story of thousands of single Michigan mothers who gave up their children for adoption in the decades after World War II in Detroit will not reach a wider audience in Michigan. For that, I am disappointed.
I respectfully asked for feedback how I did not meet their needs, and did not get a reply. I do not expect a response, and to date have not received one.
[Author’s update, 9/15/2017, 1:05 p.m.: Hours after publishing this article, I received a reply from the publication I had contacted that its editorial committee thought my article was a “personal opinion piece,” which they do not accept in their publications. That reply arrived only after I had provided the publication a courtesy email to let them know I had published this article.]
No publication is obligated to tell any writer why they are rejected. Rejection is the norm in the world of writing and publishing. It also inspires good writers.
However, this outcome, which I have experienced when reaching out to many different publications to engage them on the history and problems in the U.S. adoption system, likely has other issues beyond my storytelling abilities or even the merits of the stories I am trying to tell.
The outcome falls into a trend of editorial bias by people who likely do not recognize how their decisions about covering the story of the U.S. adoption system and its history are influenced by their own subconscious views. My forthcoming book on the U.S. adoption experience investigates how bias influences individuals’ and society’s views about illegitimately born people (bastards like me), including adoptees. I also have published an essay on that topic on my blog.
Is it Bad Writing/Research, Bias, or a ‘Suspect’ Writer/Researcher?
The larger issue of research bias is well documented in human-subjects research. That field boasts a staggering list of biases that impact the research outcomes, before, during, and after clinical trials. It also is a well-documented issue in communications.
The open-source scientific publication PLoS noted in a 2009 editorial, “A large and growing literature details the many ways by which research and the subsequent published record can be inappropriately influenced, including publication bias, outcome reporting bias, financial and non-financial, competing interests, sponsors’ control of study data and publication, and restrictions on access to data and materials. But it can be difficult for an editor, reading a submitted manuscript, to disentangle these many influences and to understand whether the work ultimately represents valid science.”
When a writer or researcher is rejected, they have almost no chance of persuading a potential publisher to chance its views. If you push your case, you also are further discounted as too “attached” or “engaged.”
In the world of investigative journalism, you are even considered dangerous, and your own publications may turn against you if you fail to accept outcomes that can squash controversial stories. This is a common experience to anyone who has mattered in the world of journalism.
The celebrated investigative journalist Seymour Hersh wrote in 1993 that telling stories that some people do not want to read but should be told is often a thankless, even dangerous task.
“Reporters write a story once, and then there’s no response and they stop,” says Hersh. “Somehow the object [is] to keep on pushing. The problem is, what do you do when you make yourself a pain in the ass and you become suspect? Because as everybody knows, for some mysterious reasons, if you have a point of view in a newspaper room you are suspect. Or if you’re a true believer you’re dangerous, you’re political. That’s really crazy. Because it seems to me the only good stories that come out of anything come from people who have a passion about right and wrong, and good and bad. It’s a terrible tragedy. It’s very tough.”
I always turn to Hersh’s quote that I jotted down when I first became a journalist, when I need to remember that telling important stories, including ones that challenge orthodoxy and prejudice, will never be an easy road to travel. That is why I wrote my book about the American adoption experience, knowing it would not be an easy story to tell or to sell.
But anything that matters, really and truly matters, requires overcoming such obstacles. That is how you find personal meaning and how you make positive and meaningful change that may take years to achieve.